Hairs tied to pigtails meandering through thick dust-patinated children's toys. Hair is an expression of individuality, the cutting or tying of hair is evidence of cultural taming. The superficial view on the artist’s work consider us mostly in a well known territory, pictures from fairy tales, stories and memories of childhood obtrude themselves strikingly and completely banal. But the view behind the scenes dissolves this familiarity by the replacement or destruction of the used symbols and creates a new complex, disturbing reality. Cornelia Kohler

sculpturing

The equality of nature, animal and men, is disturbing, surreal the piece of composition. The pictures are pointing the view to odd situations, unexplained relationships and romantic, intimate moments, whose uplifting beauty, is broken by the artist. The appearance of these figurative paintings is treacherous that the viewer can easily follow a narrative here. On the contrary, there is no reverberation of the occurrence, every statement that is made ends with a question mark or remains alone in a "land without echo“. While studying these pictures we are confronted by ambivalences of vulnerability and strength, power and impotence, fear and trust. Kerstin Serz

painting

By using utilization materials in her work to create a complex structure of the surface, their history always remains noticeable. Sculptures emerge which are anarchically refusing their given form. Built like a co-ordinate system, in which by the workings system errors occur and that creates for the artist the possibility and connecting point to break through the order. As in an expansive force, soft, partly biomorphic masses overcome their limitations and prescriptions. Works are created in which the connection of the antitheses here become a whole, artificially and profan, coarse and filigree, attractive and repulsive, a play of macro- and microcosmos. Susu Gorth

sculpturing

In many of her performances and installations, music is an important part and serves as a strong reminder and trigger of emotions and memories. In the end all her work shifts into a highly charged field where we encounter an unexpected melancholy of lost, a desire that the present moment might linger on and a very special an unexplainable blend of strange perception, of high emotion, of overwhelming memory and of a deeply shuttered certainty.
(Franz Schneider, Breda, NL, July 2016) Ute Heim

video

With the 1995 Schengen Agreement, the borders in Europe fell as well as ideological manifestations. Since 2005 Martin Sigmund photographed in a long-term project with the large format camera european border stations, which have been reactivated since 2015, toll bar after toll bar, as if they had never been away. Were they really that ever? Martin Sigmund

Photography

The pictures, quite delicate in terms of form and content are showing luxury limousines after a serious accident, the status symbol car becomes a painted sculpture. The obstacle with which the limousine has collided deformed it in a severe way that a kind of lightning metamorphosis took place. These fine paintings never imitates exaggeratedly the often cheesy-looking photorealistic paintings. They keep their surliness, which can not be seduced by fair illusion to defend aggressively their autonomy. Ivo Stilling

painting